Ebook Why Bob Dylan Matters, by Richard F. Thomas
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Why Bob Dylan Matters, by Richard F. Thomas
Ebook Why Bob Dylan Matters, by Richard F. Thomas
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Review
“A highly informed, yet intimately personal celebration of one of our most important living writers.” (NPR)“A nimble gloss on Dylan’s lyric genius.” (USA Today)“A masterstroke of literary detective work . . . and an exciting examination of an artist’s enigmatic mind.” (Booklist (starred review))“Masterful, fun, passionate, learned, profound, and there’s nothing like it. Thomas shows why Dylan deserves his Nobel—and how he hearkens back to, and enlists, the classics. Fantastic reading, full of gems.” (Cass R. Sunstein, Robert Walmsley University Professor, Harvard University)
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About the Author
Richard F. Thomas is George Martin Lane Professor of the Classics at Harvard University, a Bob Dylan expert, and the creator for a freshman seminar at Harvard on Bob Dylan.
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Product details
Hardcover: 368 pages
Publisher: Dey Street Books; 1st Edition edition (November 21, 2017)
Language: English
ISBN-10: 9780062685735
ISBN-13: 978-0062685735
ASIN: 0062685732
Product Dimensions:
5.5 x 1.2 x 7.2 inches
Shipping Weight: 13.6 ounces (View shipping rates and policies)
Average Customer Review:
4.2 out of 5 stars
39 customer reviews
Amazon Best Sellers Rank:
#56,740 in Books (See Top 100 in Books)
I had been anticipating reading this book with great expectation. I’d heard the author interviewed a couple times about this book and thought he’d come up with a unique angle and thesis (a look at Dylan’s songs through the lens of a renowned Classics professor) and so was excited to read the book. The first disappointment came when I opened the package and saw how small the book is. The next disappointment came while reading the book and, finally, the most profound disappointment came after I’d finished the book. “Underwhelmed†is one word I’d use as the takeaway after reading the book. Another phrase I’d use is “opportunity wasted.â€As I said, there is a unique angle here but the author failed to really dig into the songs at the level they deserve. I think the author is capable of delving deeper into the songs but for some reason didn’t. It seems as if he (or more likely his publisher) wanted a book of a certain length and perhaps there was a lot edited out in the analysis – probably thinking most readers would be bored or intimidated by all the references to Catallus, Virgil, Homer and Ovid. Whatever the reason, limiting the analysis was a big mistake in my opinion and made a mediocre book of what might have been an excellent one.The book, as is, references a limited number of Dylan songs but only so much in that these songs have – or seem to have – some overt allusion to classical texts. It’s interesting, in an academic way, to show how some of Dylan’s lyrics apparently allude to, and were inspired by classic poetry but that is what one might expect of a high school English teacher, a hip Dylan freak, turns the kids on to a class or two of his personal passion for Dylan and Catallus. But who is his audience here? Anyone interested in buying a book with this thesis, I would think, is looking for much more elucidation on the subject matter. In fact, done well, this book could have been a good 500-600 pages (and a normal sized book) and really done justice to the thesis. As it is, it feels like a teaser, like a trailer for a film. It left this reader wanting much more.I am giving 3 stars instead of 2 just for the thesis.
For Dylan fans, followers and obsessives Thomas's book is a must. He has followed the man's work and concerts for decades and is also a classics professor who introduced a Dylan studies programme as an experiment which proved (he says) very popular. This is a fairly short and very enjoyable read, mainly tracing and exploring the relevance of references to classical literature, Virgil, Ovid, Homer and others, in Dylan's lyrics. Although referencing Dylan's early work Thomas focuses mainly on his recent output, from Time Out of Mind onward. He brings us right up to date with consideration of the 'American songbook' recordings and the fascinating Nobel acceptance speech. If, like me, you are a Dylan devotee going back down the years, you will enjoy this fascinating study and learn yet more about the extraordinary mind and working methods of one of the great creative artists of our time.Dave Willow
An exciting study of Dylan’s lyrical majesty through the lens of his classic influences. While the subject, at first glance, may seem challenging, Prof. Thomas’ voice, both conversational and knowledgeable throughout, takes the reader on a journey of discovery, much as Dylan himself must have. Most interesting to this reader is the look at Bob Dylan now, as a living treasure, still creating and sharing his understanding of the human condition. Beginning and ending with the Nobel Prize ceremony, rather than show us Dylan’s life once again, Thomas goes deeper and shows us Dylan’s work through a series of influences. Highly recommended for any Dylan fan and any fan on intertextual literary study. This is a book that demands re-reading and inspires the reader to explore those influences so obviously important to Dylan.
Another great analysis of influences in Bob Dylan's huge discography. This from a classics professor, and a Dylan nut, who is well immersed and qualified to comment on influences from literature if ancient Greece and Rome. Leavening the analysis are snippets of his own reactions to live concerts that he has attended as well as recordings as they came to hand.Maybe triggered by the well-worthy induction of Bob as a Nobel laureate, Richard Thomas gives his apologetic defence of the committee's choice, so controversial in some quarters.Although not as fully compelling as the "Song and Dance Man III" book by Michael Gray Song and Dance Man III: The Art of Bob Dylan it worthily fills in the gaps from time of Michael's analysis covering Dylan's latest recordings with their even stronger foundation in classics input.Well worth the read to keep on understanding even more about the 20th to 21st centuries' greatest poet/songwriter.
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