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Flight: A Novel, by Sherman Alexie

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From Publishers Weekly

A deadpan "Call Me Zits" opens the first novel in 10 years from Alexie (Smoke Signals, etc.), narrated by a self-described "time-traveling mass murderer" whose name and deeds unravel as this captivating bildungsroman progresses. Half-Indian, half-Irish, acne-beset Zits is 15: he never knew his alcoholic father; his mother died when he was six; his aunt kicked him out when he was 10 (after he set her sleeping boyfriend on fire because the boyfriend had been forcing Zits to have sex). Running away from his 20th foster home, Zits ends up, briefly, in jail; soon after, he enters a bank, shoots several people and is shot dead himself. Zits then commences time-traveling via the bodies of others, finding himself variously lodged in an FBI agent in the '70s (helping to assassinate radical Indian activists); a mute Indian boy at the Battle of Little Big Horn; an Indian tracker named Gus; an airplane pilot instructor (one of whose pupils commits a terrorist act); and his own father. Zits eventually comes back to himself and to an unexpected redemption. While the plot is wisp-thin, one quickly surrenders to Zits's voice, which elegantly mixes free-floating young adult cynicism with a charged, idiosyncratic view of American history. Alexie plunges the book into bracing depths. (Apr.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

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From Bookmarks Magazine

His first novel in over a decade, Sherman Alexie's Flight winds themes of alienation, revenge, and forgiveness through its narrator's time-traveling adventures. Critics were impressed with the clever Zits: his thoughts and actions are both humorous and painfully genuine, the essence of troubled adolescence. However, reviewers complained about the lack of depth, of fully developed secondary characters, and of historical detail. Many critics also noted that the plot's swift pace and tidy ending were more appropriate for juvenile fiction. The New York Times, on the other hand, considered these elements part of the novel's charm. Though Alexie's latest effort may disappoint some readers, many will still find snatches of his trademark humor and moving prose.Copyright © 2004 Phillips & Nelson Media, Inc.

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Product details

Paperback: 181 pages

Publisher: Grove Press, Black Cat; 1 edition (April 17, 2007)

Language: English

ISBN-10: 9780802170378

ISBN-13: 978-0802170378

ASIN: 0802170374

Product Dimensions:

5.5 x 0.6 x 8.4 inches

Shipping Weight: 3.2 ounces (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

243 customer reviews

Amazon Best Sellers Rank:

#22,190 in Books (See Top 100 in Books)

One of the things I like about Sherman Alexie is how little he seems to care what anyone else thinks about what he is doing. He just does it. So "Flight" comes across to me as honest. I find honesty to be one of Alexie’s most appealing qualities as a writer.“Flight” is an exploration of how to grapple with and respond to oppression. One option is through violence: Alexie’s central character Michael, a.k.a. Zits, is a troubled teen driven out of desperation to the point of committing an atrocity. In the name of “justice,” which is both personified as a human character and symbolized in the form of firearms, Michael is prepared to commit a mass shooting of numerous, mostly Euro-American people who happen to be present when he goes to rob a bank.Michael is prevented from completing this violent act through a divine intervention which sends him traveling through time and across different personalities so that he can better understand who and where he is. In the course of his Flight, Michael considers his act within the context of such historical events as the Battle of the Little Bighorn, 9-11 and similar terrorist acts, and Ghost Dances performed by Indians who hoped to make Euro-Americans disappear entirely and forever.Michael remarks that Crazy Horse, “the greatest warrior in Sioux history[,] is a half-breed mystery” and concludes that a successful Ghost Dance would destroy not just Euro-America, but him along with it since he is the product of an intermarriage between an Indian and a Euro-American. Alexie frames the question of whether and how to exercise individual power over the lives and deaths of other people – not just in reality, but also in the imagination – in terms of whether Michael should be willing to kill a random Euro-American if it means he can have his deceased mother back. She was, incidentally, of Irish descent.Through his Flight, Michael is able to transcend himself and thus ultimately concludes that the violent choice would constitute an act of treason against humanity, and against his own sense of humanity. This conclusion is valuable to him not so much as an Indian person or as a complete and permanent solution to his personal problems, but as a young man in trouble who needs to acquire powerful psychological weapons to combat the effects of the negative, self-indulgent, and insensitive authority figures who traumatized him in his early life.Some of the people whom Michael inhabits during his Flight seem so different from him initially as to be anathema and impossible to connect to his own perspective. First, for example, he is forced to confront ugliness, irony, confusion, hypocrisy, and social complexity head-on in the shoes of a white FBI agent dealing with Indians who secretly collaborated with the agency on a reservation in the 1970s. Michael questions whether he can legitimately challenge the atrocities against Indians of the FBI agent whom he inhabits if he himself was willing to shoot random bystanders during a bank robbery. Believing he has already committed the mass shooting and after spending some time living from the agent’s perspective, Michael decides he is no better than the FBI agent.Michael later finds himself incarnated as a boy at home with his family in an intact Indian community at the site of the impending Battle of the Little Big Horn. As the boy, Michael is voiceless because a white soldier cut his throat on a prior occasion. As Custer’s Last Stand unfolds according to historical fact rather than familiar legend, Michael contemplates revenge, cycles of violence, and their consequences.He then finds himself in the form of a 19th century Irish soldier (an ancestor on his mother’s side?) at the scene of an U.S. Army massacre of an Indian community. As this nightmare unfolds, Michael is struck by the act of a white U.S. “traitor” who deserts to try to save an Indian boy from the slaughter even though this act will likely prove futile and suicidal. In contemplation of betrayal, which is an overarching theme of the book, Alexie conveys the message that the real traitors at the site of the massacre are not deserters, but soldiers who comply. Acts of violence perpetrated against other people constitute a form of treason. Those few who see reality for what it is at the time events unfold and who choose to stand on the side of real justice do not enjoy glory. They are martyred unceremoniously, but preserve their humanity as they make their own, anonymous "last stands."Michael’s Indian father is a mystery to him because he disappeared soon after Michael was born. Michael’s Irish-American mother cherished him until she passed away while Michael was still very young. As an orphan of mixed heritage, Michael was subsequently neglected, abused, and then abandoned by his Euro-American relatives, and wound up in the foster care system. The father Michael never knew embodies the confusion and complexity in his family background.In Michael's final incarnation during the Flight and before he returns to himself, he steps into his father’s shoes and comes to understand some of the reasons that he abandoned his wife and baby son. Understanding his father better helps Michael begin to move past anger, resentment, confusion, and insecurity, and to possibly embrace a more loving life in a healthy and positive environment with the “almost real family,” as he calls it, into which he is finally placed.Flight is an exploration of issues faced by children of Indian descent in foster care, and a plea on their behalf.

This is a wonderful example of contemporary urban young adult American Indian fiction --it crosses a lot of categories! I absolutely love the way that Alexie is able to weave in several examples of historical trauma throughout, thus showing the plight of the urban Indian today. There is a lot of material here, even though you could read this book in one sitting if you want (I did). There are some dark undertones here and not everyone has a happy ending. But this is an engaging novel that will get you thinking. I highly recommend it to those like like Alexie, are interested in contemporary Indian issues, and to pretty much everyone. It is worth a try to read this.If you want some information about the plot: This is the story of a boy named Zits. He does not know his Native father (and thus has trouble connecting to his Native identity) and his mother dies when he is young, so he finds himself in many foster homes. Not all of these foster families have been kind to him. He becomes a bit of a juvenile delinquent and experiments with drugs and alcohol. When he decides to react violently, fate has another plan for him, and he ends up traveling back an forth in time to visit significant instances in American Indian history. Other instances are not Native-specific (one revolves around the aftermath of 9/11). When he returns to his body, he must decide if he wants to change his life for the better, or continue down the same road. I was pleased with the outcome.

Ever wondered what's it like to really walk in the shoes of others? In this book, Zits (an angry, lonely, 15 year-old half Native American, half Irish orphan), did. Influenced by his new-found friend, whose name is, coincidentally, JusTice, Zits set out to rob a bank, with the intention to hurt and kill, to pay back for all the pain and disappointment the society put him through. This incident literally changed his life. As soon as he pulled the trigger at the bank, he went on an unexpected time-traveling journey. He walked in the shoes of an FBI agent during the civil rights movement, a mute Indian boy during the Battle of Little Bighorn, an Indian tracker, an airplane pilot. This journey, while baffled him at times, also allowed him to find himself; to see and experience the love and kindness, hate and anger, and the choices made and what became of them, at the same time battling with his own thoughts and emotions. Did they make the right choices? What would he do if he were the one having to make those choices?  My thoughtsI felt Zits' angst, sadness and confusion all at the same time. I find his journey of discovery, of God showing him there's hope, there's love, there's kindness amidst all these chaos in the world, was so surreal that he somehow came to terms with his life. He surrendered to the fact that he needed help; that he can't continue to find love with hate, that he'll keep hurting if he hurts, that he is what he makes of himself. The story has a beautiful ending. A powerful one I must say. I cried a pool of tears. I sobbed. And sobbed. Mr Alexis writes so simply yet beautifully, with so few words that pack a punch. Looking forward to reading more of his books!

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Free PDF Practice And All Is Coming: Abuse, Cult Dynamics, And Healing In Yoga And Beyond

Free PDF Practice And All Is Coming: Abuse, Cult Dynamics, And Healing In Yoga And Beyond

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Practice And All Is Coming: Abuse, Cult Dynamics, And Healing In Yoga And Beyond

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Review

Amongst the responses to the revelations of sexual abuse that have marred a number of yoga communities, Practice and All Is Coming is unparalleled. Of immense value to both practitioners and academics, the text centers the voices of the female victims of serial abuser Pattabhi Jois and illuminates the wider psychoanalytic and structural conditions that enabled such abuse. Practitioners will be gifted a demystification of transnational yoga and a way to both understand and prevent the toxic dynamics that have produced abuse. Academics will find a strong case for the utility—and even ethical necessity—for bringing cultic studies back into the field of New Religious Movements. With this ambitious and well-executed text, Remski has established himself as one of the most perspicacious and important scholar-practitioners of contemporary transnational yoga. Ann Gleig, Associate Professor of Religion and Cultural Studies, University of Central Florida. This is a horrifying and necessary tale that ... yoga practitioners and teachers need to know and reckon with. Jois and Ashtanga had a significant influence on what yoga is today in the U.S. and worldwide—from the ethics practices of teachers, to the way we pedestal (and isolate) teachers, to assists, to studio culture. This centers Ashtanga yoga, but as Remski suggests, it is relevant to every yoga lineage, and of course we know that it’s culture-wide. Remski recognizes the qualities of isolation, lack of agency, victim-blaming, and silencing present in these survivors’ accounts as implicit in rape culture. The responsibility therefore extends beyond the “perpetrators”, and falls on all of our shoulders as bystanders and participants in “yoga community”. We need to face and discuss this history and that of any harm in order to move into the true promise of living out yogic teachings— armlessness, integrity, generosity, non-attachment, and the wise use of sexual energies. Jacoby Ballard, Yoga Teacher and Social Justice Educator Starting with the first principle of yoga which is non-harming (ahimsa), and applying the clear seeing of meditation (dhyana), Remski offers us a framework for understanding how confusion and messiness around lineage and power has led to so much pain and suffering inside the world of yoga. This is also a guidebook in the yogic principle of self-study (svadyaya) helping us all look honestly at ourselves and our community. I am so grateful that finally, Remski offers us a way forward—with both practical means and inspiration - to remind us that yoga is a living practice and in the end, always about relationship. Cyndi Lee, author of Yoga Body, Buddha Mind Thank you Matthew Remski and the courageous women who have stepped forward to offer this pivotal work. Practice and All is Coming is a service to humanity, to the yoga world at-large, to long-time practitioners and future generations so that we can evolve into cultivating a safe space that all beings deserve. This incredibly thorough, sensitive and somatically sophisticated work is ESSENTIAL to the evolution of yoga for the maturity to unpack the shadow of abuse, body-image distortion and power-dynamics effecting many without conscious awareness of these undercurrents, while also recommending best practices and a PRISM method to move forward so that we may work towards ending abuse of all forms and transforming dominance-structures so that all beings are respected, safe and empowered in their journey of embodiment. Shiva Rea, author of Tending the Heart Fire 

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Product details

Paperback: 366 pages

Publisher: Embodied Wisdom Publishing (March 14, 2019)

Language: English

ISBN-10: 0473472074

ISBN-13: 978-0473472078

Product Dimensions:

6 x 0.8 x 9 inches

Shipping Weight: 1.1 pounds (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

17 customer reviews

Amazon Best Sellers Rank:

#39,569 in Books (See Top 100 in Books)

I have been reading on Matthew Remski for years. Before this incredible contribution about the potential darkness that can come with authoritarian groups, I enjoyed his writing and applied it often to my teaching. He is incredibly knowledgeable and informed--he does his due diligence in terms of research and discovery and it shows.Is this book easy to read? No. But that doesn't also mean it isn't important to read. As someone who has been teaching Yoga for nearly 15 years and a student of yoga for 20....I have witnessed and been a victim of abuse from teachers who have a perverted sense of power and privilege because they are empowered from the community that surrounds them. This book takes on, and will hopefully aid in taking down, one of the largest schools of Yoga that has been a source of some of the most heinous abuse--sexual, emotional and physical.I am so grateful for Matthew's courage--I cannot imagine this stand will be popular with loyalists or those who don't want to "rock the boat". I say--to hell with that. Put it all in the light so people have the information they need--then let them decide. This book is a must read for any serious student or teacher of Yoga.

This book turns a powerful light on long-suppressed abuses in the ashtanga yoga community. As a long-time practitioner, I hope the book turns the ashtanga world on its head and leads to much needed reforms.

This book showed up unannounced from Amazon. I knew I hadn't ordered it so it took me awhile to figure out where/why it came to me. I had contributed to a Kick Starter campaign to fund a book that was to be title What we are doing in Asana. Turns out, this is the final product of this project.While an intensely important subject in yoga, this would not have been a book I would have bought to read. As I had it, I read it. It is a very deep dive on the subject of abuse and cults. Matthew did a greta job in researching, educating the reader about cults and abuse and being gentle with his sources. The dynamics he speaks to occurs outside of the yoga community, so this book is relevant today. I think if you are a yoga teacher who attends to students that have faced abuse, this book can help guide your understanding of the human experience and results of abuse. From that perspective as well as a way of helping the victims of this abuse, this book has great value.Would I recommend it widely? Likely not. I would recommend it to those who find past or current abuse in their midst or those who want scholarly information on cuts.

Its rather disheartening to observe the reviews for this book which I have not and will not read.All the comments left thus far have been made by very close friends/associates of Remski and therefore 100% disingenuous and not from a place of unbiased criticism. Pandering pretence from Altman, Miller, Boccio, Brown, Jivana, etc. who are all playing on thesame team and are great chums, sycophantic to one another, they collectively exploit yoga for personal profit and gain and their agenda, esp. those who are aligned with and shilling for the corrupted Yoga Alliance, is to de-legitimize traditional yoga and line their own pockets with gold from that cash cow.Its cronyism at its most pathetic and obvious; they are playing out their covert agenda which is to control the narrative and delegitimize traditional yoga. There is nothing sacred whatsoever about this "alliance"; the public and the yoga consuming masses would be well served to steer away from such manipulative and co-ercive attempts. Remski is exactly that which he attempts to decry and expose - i.e. a scary megalomaniac playing at cult master. Further, he has never been part of nor involved with the Ashtanga community in any way and is out of his lane to be stepping in and grandstanding as "great white saviour" exploiting the pain and suffering of women whose "voices and stories are hinged to him in a way that is both absurd and stereotypically patriarchal". This work is symptomatic of an insidious cancer, a poison that is profaning the sacredness of the essential essence of yoga that is perpetuated by Remski and his cadre and sham wow those who don't know what they don't know. No yoga in their faux-ga.Maya fuels samsara.Boycott the Yoga Alliance. Boycott the Cult of Remski. Occupy Yoga.

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Download PDF Botswana 1:1,000,000 Travel Map, waterproof, GPS-compatible, REISE, 2012 edition

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Botswana 1:1,000,000 Travel Map, waterproof, GPS-compatible REISE, 2012 edition Botswana on an indexed road map with topographic and tourist information and a plan of Gaborone. The map is double-sided to provide the best balance between a good scale and a convenient sheet size (size 100 x 70 cm / 39.5 x 27.5 in). It is waterproof and tear-resistant, durable enough to survive time spent in the rucksack, pocket or on a restaurant table, particularly in tropical conditions of Botswana Topography is indicated by altitude colouring with numerous spot heights, names of mountain ranges and passes, salt pans and swamps. Road information includes seasonal tracks and indicates intermediate driving distances on main and secondary roads. Locations of petrol stations, veterinary cordon fences and border crossings are also marked. Other transport details include railways and local airfields. Internal administrative boundaries are shown with names of the provinces. National parks and protected areas are marked and symbols highlight various places of interest: UNESCO world heritage sites, viewpoints, wells, caves, bird sanctuaries, selected accommodation including campsites and lodges, medical facilities, etc. The map has a latitude/longitude grid at intervals of 1º and an index of localities with a separate list of national parks and reserves. Map legend includes English. Also provided is a street map of central Gaborone, showing the tourist information office, post office, bus terminal, railway station, police station, shopping areas, hotels, embassies and buildings of interest.

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Product details

Map: 2 pages

Publisher: Reise Knowhow (2012)

Language: English

ISBN-10: 8074590054

ISBN-13: 978-8074590054

Average Customer Review:

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Amazon Best Sellers Rank:

#2,029,269 in Books (See Top 100 in Books)

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PDF Ebook Joyriding in Riyadh: Oil, Urbanism, and Road Revolt (Cambridge Middle East Studies)

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Review

"Good anthropologists aim to enter into the minds of their subjects, sharing their lifestyle, acquiring their language, studying their moods and responses but always maintaining an objective self-awareness. Pascal Menoret is better than good." The Economist"An excellent ethnography of youth culture in Saudi Arabia that unpacks the connections between the social practice of joyriding as a form of political dissent with the questions of oil, urbanism, and power. It provides new insight into the categories of masculinity and gender in the Middle Eastern context and the spatial politics of the Saudi state. This work contributes to a growing body of critical scholarship ... Joyriding in Riyadh is an excellent and scholarly work that makes a valuable contribution to the field of Middle East Studies. It will appeal to anyone that has an interest in youth culture, urban and gender studies, urban history, and anthropology of the Middle East. Moreover, the book can be assigned to classes on Middle Eastern politics, Arab Uprisings, or any course that deals with the issues of social violence and economic inequality in a comparative or global framework." Feras Klenk, Middle East Media and Book Reviews Online"Menoret has written one of the best books on contemporary Saudi Arabia. I applaud the author's bravery in undertaking fieldwork among violent, repressed, and disenfranchised young men in the kingdom during the years of the War on Terror. He elegantly combines an intimate portrayal of Saudi male youth culture with a profound analysis of the national and global networks of government, business, and expertise that gave rise to joyriding." Jörg Matthias Determann, American Historical Review"This is an insightful, important and unique book. It is extremely readable and will be accessible to students of all levels, as well as others inside and outside academia with an interest in the Gulf, urban history and politics, and gender and sexuality in the Middle East." Michael Farquhar, LSE Middle East Centre Blog (blogs.lse.ac.uk/mec)

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Book Description

Why do young Saudis, night after night, joyride and skid cars on Riyadh's avenues? Who are those "drifters" who defy public order and private property? Based on four years of fieldwork, Joyriding in Riyadh explores the history and social fabric of Riyadh, as well as that of Saudi Arabia. For young rural migrants, car drifting is a way to reclaim threatening urban spaces. It is now the target of a nationwide police crackdown. The book shows that, far from being a marginal event, car drifting is embedded in Saudi Arabia's social violence and economic inequality.

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Product details

Series: Cambridge Middle East Studies (Book 45)

Paperback: 268 pages

Publisher: Cambridge University Press (April 21, 2014)

Language: English

ISBN-10: 1107641950

ISBN-13: 978-1107641952

Product Dimensions:

6 x 0.6 x 9 inches

Shipping Weight: 11.2 ounces (View shipping rates and policies)

Average Customer Review:

4.8 out of 5 stars

7 customer reviews

Amazon Best Sellers Rank:

#347,999 in Books (See Top 100 in Books)

In her recent video, the Londonese singer M.I.A. mixes car high-speed stunts in the Arabian desert and “Bad Girls” dressed in leopard bodysuits veiling their faces with only the eyes showing, dancing on the beat. At some point M.I.A. files her nails whilst leaning out the window of a car driving on its two side tires. She was inspired by the videos on Youtube showing Arab men in sedans doing crazy stunts in the desert—from drifting through traffic to changing a tyre while a truck is tilted on two wheels or skating on their shoes while standing outside of the passenger door with the car running at full speed. Two-wheel driving, cars rotating to perform a doughnut clouded in rubber smoke, front-wheel-drive cars drifting through traffic and passengers dancing out the car at highway speed: these images of Gulf states’ subculture have recently gone viral, and are now associated with the term “Arab drifting.” The video director Romain Gavras explains he wanted to feature many Arabian clichés—oil barrels burning in the desert, running horses, men in white dashadeesh standing on roadside water pipes, veiled women in luxury brand outfits, while also insisting on the federative aspects of car drifting that straddle gender and age boundaries. Other commentators also pointed out the intended support for women fighting for the right to drive in Saudi Arabia. Whether these stereotypes about Arab men and women can be empowering or not remains an open question. But the clip is fun to watch, and is a success even in the U.S. while presenting Arab men and women in a positive manner.Pascal Menoret’s book is titled like a music video or a magazine article, but it isn’t. It is an anthropological essay that grew out of a PhD dissertation, although it covers different material and with a different angle. The author wrote his doctoral thesis on the politicization of youth in Saudi Arabia, a timely subject that matched the priorities of the French public agencies that supported his fieldwork with a research grant. Social science research is based on objective facts and detached observation, and the ethnographer seldom intervenes in the text. By contrast, Joyriding in Riyadh is an essay in reflexive anthropology that makes explicit the position of the ethnographer as a French doctoral student in contemporary Saudi Arabia. It was inspired by the book Yemen Chronicles, that Pascal Menoret once wanted to transform into a graphic novel. Like in Yemen Chronicles, the author gets entangled in various political plots, and the end product of his research is far away from his original plan. The book does not only deal with joyriding; in fact, the author had very few occasions to observe car drifting rallies firsthand or to discuss with joyriders. But he takes this form of juvenile delinquency as an entry point into youth culture, urban planning, uneven development, and political expression.Pascal Menoret’s main thesis is that in Saudi Arabia today road violence is a form of political violence. By this, he first means that Saudi Arabian young men, particularly the Bedouins uprooted from their land and brought up in Riyadh’s suburbs, are venting their frustration and anger on the road because they are prevented to express any other form of political protest. As Menoret highlights, “Joyriding is not only a thriving subculture, but also a way of confronting the state in its most basic operations: managing public spaces, protecting private property, and enforcing the law.” The only way to manifest political opposition in Saudi Arabia is through radical religious discourse or through road delinquency. Both ways are profoundly nihilistic: the politics of opposing the Saudi state is a politics of death. The young Bedouins described by Menoret are modern rebels without a cause, and their revolt should sound familiar to many Americans and Westerners who would not otherwise relate to their plight. Indeed, the videos of car drifting and improvised stunts have become a global hit on Youtube, and they are viewed by people who have otherwise no contact with, and very little knowledge of, Saudi Arabia. Menoret brings Saudi Arabia close to home: “by bringing Riyadh back into the mainstream of dysfunctional urban societies, it shows the deceptive ordinariness of Saudi Arabia.”But there is a deeper meaning in the author’s identification of road violence with political violence. Violence is not only something that people do—it is also the constraints and limitations that prevent them to live meaningful lives. A prison is a violent institution, even though physical violence is banned from day-to-day interactions. In Saudi Arabia, the system formed by roads, public infrastructures, and the reliance on the automobile inflicts a kind of structural violence on individuals. Roads and cars are dehumanizing: they turn human beings into mere cogs in a disciplinary mechanism that generate a state of apathy and depoliticization. This violence is not only abstract: it leads to the highest number of deaths on the road in the world. Nature is being violated: the kind of development fueled by oil money and imitative of American suburban life is clearly not sustainable. Road violence is also a form of violence against women: in Saudi Arabia, only men are allowed to drive, and the movement of women is severely constrained by an urban environment in which cars are the only means of transportation.There are many ways in which car traffic is being politicized. Urban planning has created an environment where families and individuals live scattered in individual houses and small apartment buildings, far away from each other but under the surveillance of the state. Real estate is in the hands of senior princes and rich families who build roads to nowhere on empty lands waiting for developers and contractors. Menoret links these local developments to global network of expertise, capital and power. Based on archival work, he shows how Riyadh’s extension was planned by a Greek architect, Constantinos Doxiadis, with the support of SCET International, a French public company, and other international experts. From the 1970s onward, individual villas financed by government loans and individual cars running on public roads would be generalized to the whole city of Riyadh. Rural migrants and Bedouin slum dwellers were relegated to distant suburbs, while foreign labor migrants occupied a deserted and dilapidated inner city. The real estate market became a way to get rich fast, and the old tribal ethics based on honor, pride and generosity were replaced by ambition and greed. The car-centered suburbia fueled despair (tufush) and generated economic and social segregation. As the author puts it, “joyriding was the tree that hid the forest of social despair and urban dereliction, the tip of an iceberg of poverty and violence that was rarely reported on.”Joyriding in Riyadh offers a rich description of Saudi youth subculture, with its celebration of an aggressive masculinity, of violence against boys, against society, and against the self. It also illustrates the vitality of French social science. This book could only have been written by a Frenchman. Or to be precise, it could never have been written by an American. Negotiating access to the field and establishing contacts with informants was hard enough for a Frenchman: he was always suspected of being a spy for the Saudi police or an agent for the French secret service. Friends, interviewees, and informants constantly reminded him of his position: that of a French doctoral student doing fieldwork in Saudi Arabia during the US-led war on terror. He could only establish a relationship with prospective informants through perseverance, people’s skills, and sheer luck. Interviewing young religious activists on their political opinions or observing gatherings of car drifters was hard enough for him: it would have been practically impossible for an American to research such a politically loaded topic.Access to the field determines in a large part the type of research being conducted. Many American anthropologists gained their first experience in a developing country through service in the Peace Corps. Paul Menoret first came to Saudi Arabia as a young teacher taking opportunity to serve as a “coopérant” abroad instead of doing his (by then compulsory) military service back home. His resolution to write a philosophy thesis on Hegel’s Philosophy of Religion didn’t last long. Instead he learned Arabic and the local Bedouin dialect and then, having to return home, he enrolled in a PhD program in social science. He came back as a doctoral student under French government sponsorship and affiliated to a social science research center in Sanaa, also supported by France. Ashe recalls, “my decision to study the politicization of youth was congruent with the preoccupation of the French Foreign Office, which granted me a doctoral scholarship and a rare four-year research visa to Saudi Arabia.” He maintained close contacts with the cultural section of the French embassy in Riyadh, which by the end of his stay led to a curious episode in which he was informed by the French ambassador that Saudi authorities were to expel him from the country—but then nothing happened, and he stayed in Riyadh for six more months.As the author recalls, “it took a long time for the question of urban space, surveillance, and car drifting to emerge as central for my research.” His first impulse was to write an ethnographic study of a rural Bedouin community in the Upper Najd region. Through a friend he attends a wedding in a village where he plans to do longer fieldwork in order to study local Islamic groups and the relation between youth and their parents. As he notes, “the village not only harbored colorful figures…, it also seemed perfectly suited for a study of youth, religion, activism, and intergenerational politics.” The village is divided between loyalists, islamists and jihadists, and the anthropologist’s presence raises tensions that force him to leave the site after only two days. The urban environment is more secure, but raises other challenges for the anthropologist. There are very few public spaces or venues where people can discuss their opinions. Young men gather in small, informal groups called shilal that meet in a rest house or apartment, away from the gaze of the repressive state. Islamic groups are even harder to approach for the author, who is often pressed by his interlocutors to convert to Islam or otherwise suspected of being an informer for the secret police. As he recalls, “meetings were canceled at the last minute, phone calls were left unanswered, and promises were broken on a regular basis.”The author’s French upbringing also shows in his theoretical references and conceptual framework. As he discloses, “this book is inspired by the anthropological tradition developed by Pierre Bourdieu and his students.” Bourdieu, who defined sociology as “fieldwork in philosophy,” has launched the academic career of several French social scientists now working in American universities: the names of Loic Wacquant and Philippe Bourgeois come to mind. Now teaching at New York University’s Abu Dhabi campus, Pascal Menoret can be added to the list. He is more interested in field methods and working assumptions than in abstract theory and philosophical discussions. Compared to similar books published by young American PhD’s, Joyriding is rather light on theory. You won’t find the long, abstract discussions about Foucault and other philosophical luminaries that have become de rigueur in anthropological dissertations. But what the author lacks in theoretical deftness, he compensates with empirical relevance and a keen sense of the fieldworker’s position with respect to his informants.

Difficult to read, but insightful. Lots of specialized sociological terms.

Well, there is no other book like this, that I know of. So if you're looking to read about Saudi drifting culture, this is it. My perception was that Menoret's main tenet was to link joyriding to political violence (done upon Saudi youth and then re-enacted by them). He does a good job of linking oil, municipal architecture, and power together to form the political & physical "landscape" where drifting takes place.From watching Saudi drifting videos on YouTube, you would never guess about the male-to-male relationships (sexual and courtly love) and power struggles described in the book. But I wanted him to go further to elucidate this strange haram-like relationships that he encountered.I also wished for two more things:1. A more technical analysis of the physicality of drifting. If this was a book about music, it shouldn't be without scales, instruments, and even the callouses that form on your hands (although plenty of ethnomusicologists would write this way). Similarly, I wanted to know about the instruments of drifting: the cars and the mechanics behind the performances. I want to know specifically about the aesthetics of the "figures" performed by the drivers, and what made a good show vs a mediocre one, and finally, how that would interplay into the relationships of these networks.2. The book seemed very light on analysis from the perspective of subcultures. I would have expected references to Dick Hebdige or other authors I've never heard about. Perhaps it was Menoret's intention for readability to omit all the heavy academic references. But I felt it was omitted from the substance, as well as the style. I never got a deeper sense of these networks. Menoret admitted the enormous troubles faced with gaining and maintaning trust, which was no doubt a factor.Great book, worth the read.

AMAZING. Accessible, fun, best assigned-reading yet. A window into an often mis/understood country. Also eerie parallels to the United States and the failures of our own urban planning.

Unique insight into a difficult topic. Pascal Menoret has penetrated the Saudi youth underclass like no outsider has been able to do. A must read for all those interested in Saudi politics and society.

Phenomenal

This book wonderful

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