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About the Author
Dr. Kimiaki Tanaka (b. 1955) studied Indian philosophy and Sanskrit philology at the University of Tokyo and received his doctorate in 2008 for his dissertation entitled “Genesis and Development of the Mandala in India.” He also studied abroad as a visiting research fellow at the Nepal Research Centre in Kathmandu (1988–89) and held a Spalding Visiting Fellowship at the University of Oxford (Wolfson College) in 1993. He has taught at several universities in Japan, as well as conducted fieldwork in India, Nepal, and Tibet. From 1997 to 2015 he was academic consultant for the Hahn Cultural Foundation (Seoul), and he is also chief curator of the Toga Meditation Museum in Toyama prefecture, Japan, and vice-president of the Tibet Culture Centre International in Tokyo. He has published more than 50 books and 120 articles on esoteric Buddhism, Buddhist iconography, and Tibetan art. He is currently a lecturer at the Toho Gakuin, Keio University, and Toyo University.
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Product details
Paperback: 368 pages
Publisher: Wisdom Publications (December 4, 2018)
Language: English
ISBN-10: 1614292787
ISBN-13: 978-1614292784
Product Dimensions:
10 x 0.9 x 10.9 inches
Shipping Weight: 2.6 pounds (View shipping rates and policies)
Average Customer Review:
4.0 out of 5 stars
1 customer review
Amazon Best Sellers Rank:
#140,541 in Books (See Top 100 in Books)
This is a rather technical study of the mandala in Tantric Buddhism, and as such reads like the doctoral study it is. For an academic audience this is probably great, but for the general student of Buddhism or Eastern spirituality (and even more so for the general reader interested in mandalas as a universal symbol) it will probably be much less engaging. There are a lot of details here - yes, lots of images and descriptions of deities and mandalas, but also lots of charts, lists, and graphic schematic outlines of mandalas. This may all be either exciting or daunting depending on your interest level with the subject, but the first thing that came up for me was more mundane and practical; that this thick large format book (almost 11†square) would be better as hard-bound since it’s pretty floppy as a paperback.To give a taste of the specific tantric and academic focus of this book I quote the author from the introduction where he begins by defining what a mandala is; “Here, I define a mandala as an icon that represents the world view of Buddhism, or Buddhist cosmology and philosophy, by arranging Buddhist deities in accordance with a specific pattern.†(p. 2)Obviously this is NOT going to be a study of the mandala as a general symbol of the psyche (a la Carl Jung), nor as I would more generally define it, as a symbol of the ineffable nature of mind…. which apparently arose as spontaneous visions at some point in human history and were codified and systematized into elaborate conceptual models (a combination of signs and symbols) in tantric Buddhism.What it is instead is a very thorough look at a rather narrow slice of buddhist history; from the beginning of this form's use in the 5th century through its evolution in complexity to its culmination in the 11th century with the Kalachakra tantra when Buddhism in India died out. As well, the study covers how the mandala was represented and evolved in other countries where the tradition was established (Tibet, China and Japan).All this makes for a hard book to rate by stars. Personally it’s only a disappointing 3 to me (due to the specific and limited scope of the study), but perhaps it'll be a 5 for those with scholarly interest in the historical development of this particular application of the mandala motif; so I’ll give it a 4.
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